Dynamic instrument microphone Beyerdynamic TG D35 for percussion instruments, cardioid

The Beyerdynamic TG D35 is a dynamic instrument microphone engineered specifically for percussion instruments. It uses a cardioid pickup pattern to minimize off-axis sound and reduce feedback, delivering focused capture of snare, toms and cymbals on stage and in the studio. The microphone is built for rugged use with a balanced output that ensures a reliable connection to mixing consoles and preamps during live performance and recording situations.

Advantages

The cardioid polar pattern provides targeted sound rejection from the rear and sides, helping to isolate the intended source in loud stage environments. Its dynamic capsule tolerates high sound pressure levels typical for drums and percussion while offering consistent tonal response. The robust mechanical construction resists the knocks and handling common in live use. Balanced output reduces hum and interference across cable runs and simplifies integration with standard professional audio equipment.

Suitable for

• Close miking of snare drums
• Spot miking of toms and floor toms
• Capturing cymbal presence in live and studio settings
• Reinforcement and recording of percussion instruments on stage

Key specifications

• Transducer type: dynamic
• Polar pattern: cardioid
• Intended application: percussion instruments (snare, toms, cymbals)
• Output: balanced microphone output for connection to consoles and preamps
• Mechanical design: rugged housing for stage and studio use
• Sound pressure handling: suitable for high SPL sources

How to use

Position the microphone close to the drum or cymbal to capture direct sound while keeping it angled to avoid excessive air blasts from hits. For snare drums, place the mic about 2–6 cm above the rim, aimed towards the center of the drumhead for a focused attack. For toms, position the microphone over the drumhead or slightly off-axis depending on desired tone. Use the balanced output to connect to a mixing console or preamp with an XLR cable and set gain to capture transients without clipping. Monitor levels and adjust mic placement to balance attack, body and bleed from other stage sources.

Usage recommendations

For live setups, combine close miking with overheads and a drum room mic to achieve a full kit sound while relying on the TG D35 for isolated percussion presence. In recording situations, experiment with placement distances and angles to find the preferred balance between attack and resonance; use a high-pass filter if low-frequency bleed becomes problematic.