Microphone Beyerdynamic M 130

The Beyerdynamic M 130 is a dynamic double ribbon microphone engineered for professional audio applications. Its dual ribbon transducer captures a wide frequency range with clear midrange detail and smooth high-frequency response, suitable for both studio recording and live performance environments. The microphone's robust metal construction and classic ribbon voicing deliver natural-sounding reproduction of vocals, acoustic instruments and room ambience while providing reliable operation in demanding use.

Advantages

The M 130's double ribbon design provides increased sensitivity and an extended frequency response compared with a single ribbon element, offering enhanced clarity and transient detail. Its figure-8 polar pattern captures sound from the front and rear while rejecting off-axis noise from the sides, useful for close-miking, mid-side recording and stereo techniques. Durable build quality and a stable ribbon assembly make the microphone resilient to regular studio and stage use, while the balanced output ensures compatibility with professional preamps and consoles.

Suitable for

• Studio vocal recordings where natural midrange and smooth highs are required
• Acoustic guitar, stringed instruments and piano capturing
• Room and ambience miking, including mid-side and Blumlein setups
• Live sound reinforcement where a warm ribbon character is desired

Key specifications

• Transducer type: dynamic double ribbon
• Polar pattern: figure-8 (bidirectional)
• Frequency response: wide-range with smooth high-frequency behavior
• Construction: rugged metal housing designed for professional use
• Connection: balanced microphone output for use with standard mic preamps

How to use

Mount the microphone on a stable stand using an appropriate shock mount or clip to minimize handling noise. Position the microphone according to the desired tonal result — close to the sound source for more presence and detail, or at a distance to capture room ambience and a more natural blend. Use the figure-8 pattern to capture front-and-back sources or to implement mid-side recording techniques by pairing with a cardioid microphone. Ensure a suitable preamplifier with adequate gain is used, as ribbon elements typically require more input gain than dynamic moving-coil microphones.

Usage recommendations

Avoid exposing the ribbon element to strong air blasts and phantom power directly; confirm that connected equipment does not apply phantom voltage through the mic line. When transporting or storing the microphone, use a protective case to prevent mechanical stress. For best results in studio and live scenarios, pair the microphone with a low-noise preamp and position it to take advantage of its figure-8 pattern for controlled rejection of unwanted side sources.