Wired microphone BLOW PRM 402 gold — dynamic karaoke microphone, handheld

The BLOW PRM 402 gold is a wired handheld dynamic karaoke microphone designed for vocal performance and public speaking. Its gold-colored finish gives a distinctive visual accent while the cardioid dynamic capsule captures sound with focus on the main sound source and reduced background noise. The microphone connects directly to karaoke systems, mixers and amplifiers and provides straightforward plug-and-play operation suitable for home parties, rehearsals and small event use.

Advantages

The BLOW PRM 402 gold combines a robust handheld design with a cardioid pickup pattern that helps minimise feedback and ambient noise. The wired connection ensures consistent signal quality without battery changes or wireless interference. Its metal grille and durable body make it suitable for repeated use, while the gold finish offers a polished appearance for stage or home settings.

Suitable for

• Home karaoke and party singing
• Small venues and open-mic events
• Rehearsal sessions and practice
• Public speaking and announcements

Key specifications

• Transducer type: dynamic
• Polar pattern: cardioid
• Connection: wired, standard microphone jack compatible with mixers and amplifiers
• Form factor: handheld
• Finish: gold-coloured body and grille
• Intended use: vocals and speech for karaoke and live performance

How to use

Connect the wired microphone to the microphone input of a karaoke system, mixer or amplifier using the appropriate cable and jack. Position the microphone 5–15 cm from the mouth for clear vocal pickup and angle it slightly to reduce plosive sounds. Adjust the input gain on the mixer or system to avoid clipping; start with a low gain and increase until the signal is strong without distortion. For live use, monitor sound levels through speakers or headphones and adjust equalisation and effects as required by the sound system.

Usage recommendations

For best performance, keep the microphone grille clean and avoid dropping the unit. Use a windscreen or pop filter when recording or performing close to the microphone to reduce plosives. When connecting to a mixer, set a moderate high-pass filter and avoid excessive gain to reduce feedback. Store in a dry place when not in use.