Microphone Deity S-Mic 3S

The Deity S-Mic 3S is a high-performance shotgun microphone designed for professional audio recording in film, broadcast and field production. It offers a supercardioid pickup pattern for focused directionality, low self-noise and a wide frequency response from 20 Hz to 20 kHz, enabling accurate capture of dialogue and ambient detail. Built with robust materials and practical accessories, the S-Mic 3S is suited for use on booms, cameras and studio stands where clear, isolated sound is required.

Advantages

The microphone's supercardioid polar pattern minimizes off-axis noise and reduces background interference, improving intelligibility of speech in challenging environments. Its wide frequency range reproduces low-end warmth and high-frequency detail, while a low-noise design preserves dynamic nuance. Durable construction and included mounting accessories provide reliable on-location performance and straightforward integration with common production workflows.

Suitable for

• Location sound recording for film and television
• Run-and-gun camera mounted interviews
• Studio voiceover and dialog capture
• Live event reinforcement and field production

Key specifications

• Polar pattern: Supercardioid (shotgun-style)
• Frequency response: 20 Hz – 20 kHz
• Low self-noise suitable for professional dialogue capture
• Durable metal construction with shock- and wind- resistant design elements
• Compatibility with boom poles, camera mounts and studio stands

How to use

Mount the S-Mic 3S on a compatible shockmount or camera shoe and connect it to your recorder or camera preamp using the appropriate balanced cable. Position the microphone aiming at the sound source with the front end pointed toward the subject to take advantage of the supercardioid rejection pattern. When used on a boom, maintain a consistent distance and angle to preserve tonal balance and intelligibility. Apply a windscreen outdoors and a shockmount indoors to reduce handling and wind noise.

Usage recommendations

For optimal results in dialogue recording, place the microphone as close to the subject as practical without entering the camera frame, and use a high-quality preamp with low noise and sufficient gain. In noisy environments, combine directional placement with acoustic treatments or gating/processing in post to improve clarity.