Active Studio Monitor FLUID AUDIO FX80 V2 — 80W, 8" woofer, 1.2" tweeter, 114 dB SPL, XLR/RCA inputs, black

The FLUID AUDIO FX80 V2 is an active studio monitor with an 80 W amplifier, an 8" (20.3 cm) woofer and a 1.2" (3.04 cm) tweeter. Housed in an MDF cabinet with a front panel on/off switch, the monitor supports RCA line input, XLR output and a 6.35 mm output. Its compact footprint (340 × 295 × 254 mm) and 7.8 kg weight suit project studios and desktop monitoring where accurate nearfield reference is required.

Advantages

The FX80 V2 offers a balanced two‑way design that combines an 8" woofer and a 1.2" tweeter to provide extended low-end and clear high frequencies. With an 80 W amplifier and up to 114 dB SPL capability, the monitor can reproduce dynamic content at reference levels. The MDF enclosure reduces cabinet resonances, and the available RCA, XLR and 6.35 mm connections allow flexible integration with common studio and desktop setups.

Suitable for

• Project and home studios — nearfield monitoring
• Desktop mixing and multimedia production
• Reference listening and audio editing

Key specifications

• Amplifier power: 80 W
• Woofer: 8" (20.3 cm)
• Tweeter: 1.2" (3.04 cm)
• Maximum sound pressure level: 114 dB SPL
• Frequency response (headphone specification): 35–22,000 Hz
• Cabinet material: MDF
• Dimensions (H × W × D): 340 × 295 × 254 mm
• Weight: 7.8 kg
• Inputs/outputs: RCA line input, XLR output, 6.35 mm output

How to use

Place the FX80 V2 monitors at ear height in a nearfield configuration, separated by approximately the same distance as the listening position to form an equilateral triangle. Connect the source to the RCA line input or use a balanced feed through the XLR path if available, and connect headphones to the 6.35 mm output when required. Power the unit using the onboard on/off switch and allow a short warm-up time for consistent response before critical listening or mixing.

Usage recommendations

For best results, position the monitors away from walls and corners to reduce bass build-up, use acoustic treatment in the listening area if possible, and perform level matching between monitors and any reference playback system before mixing.