Acoustic Guitar Microphone Omnitronic FAS for Pocket Transmitter 13063459

The Omnitronic FAS acoustic guitar microphone is a compact pickup designed to be mounted on an acoustic guitar and used with a pocket transmitter. It captures string vibration and body resonance to provide a natural amplified acoustic sound when connected to a wireless bodypack transmitter. The design focuses on minimal visual impact and straightforward attachment to the instrument, making it suitable for live performances, rehearsals and mobile setups where a wired connection is impractical.

Advantages

The microphone provides a clear, natural reproduction of the guitar’s tonal characteristics while remaining small and unobtrusive on the instrument. Its compatibility with pocket transmitters allows for full stage mobility without sacrificing signal quality. The mounting method is intended to preserve the instrument’s playability and minimize interference with strumming and hand movement. The system reduces handling noise compared with many external microphones and simplifies onstage setup by integrating directly with the wireless transmitter.

Suitable for

• Live acoustic performances requiring wireless amplification
• Rehearsals and practice sessions with a bodypack transmitter
• Solo performers and small ensembles needing unobtrusive pickup solutions
• Mobile recording situations where quick setup and compact gear are preferred

Key specifications

• Type: Contact/clip-on microphone designed for acoustic guitar sound capture
• Connection: Designed to interface with a pocket bodypack transmitter
• Form factor: Compact, low-profile pickup for mounting on the instrument body
• Sound capture: Focus on string vibration and body resonance for natural acoustic timbre
• Use environment: Suitable for live stages, rehearsal spaces, and mobile setups

How to use

Attach the microphone to the guitar at a location that balances string and body resonance—commonly near the bridge or on the guitar top where the instrument vibrates strongly. Connect the microphone cable to the input of a compatible pocket transmitter and secure the transmitter to the player’s belt or clothing. Set the transmitter gain according to the instrument’s output and the venue sound level; start with a moderate gain and adjust while checking for clipping or feedback through the PA or monitoring system. Perform a soundcheck to fine-tune placement and gain settings for the most natural amplified tone.

Usage recommendations

For reduced feedback and optimal tone, avoid placing the microphone too close to loud stage monitors and check cable routing to prevent microphonic noise. If available, use EQ and a mild high-pass filter on the mixing console or transmitter to remove low-end rumble and enhance clarity. Regularly inspect the mounting point and connector for secure fitment before each use.