Studio microphone sE Electronics sE8 — wired XLR-3, 20–20000 Hz, sensitivity -32 dB, 48V phantom, black

The sE Electronics sE8 is a compact wired studio microphone with an XLR-3 connection designed for recording and broadcast applications. Covering a frequency range of 20–20,000 Hz and offering a sensitivity of −32 dB, the microphone requires 48 V phantom power (consumption 2.7 mA). Its small physical dimensions (120 mm length, 141 g weight) and robust all-metal housing make it suitable for close-miking vocals, acoustic instruments and drum overheads in studio and live environments.

Advantages

The sE8 delivers a balanced, natural sound through a handcrafted true condenser capsule with a gold-sputtered ultra-thin diaphragm and a newly developed backplate design that provides consistent off‑axis response. Class-A transformerless electronics produce very low self-noise and high dynamic range without introducing coloration. Two selectable pre-attenuation pads (−10 dB and −20 dB) and two low-cut filter options (80 Hz and 160 Hz) add flexibility for handling loud sources and reducing low-frequency rumble. A gold-plated XLR connector and solid metal chassis ensure reliable connections and effective rejection of electrical interference.

Suitable for

• Studio recording of acoustic guitar, piano and other acoustic instruments
• Drum overheads and hi-hat capture
• Vocal overdubs and ensemble vocal recording in controlled environments
• Broadcast and voice recording where clarity and low noise are required
• Live close-miking of brass, strings and percussion with high SPL

Key specifications

• Frequency response: 20–20,000 Hz
• Sensitivity: −32 dB
• Power requirement: 48 V phantom power (consumption 2.7 mA)
• Connectivity: wired XLR-3
• Physical dimensions: approximately 120 mm length
• Weight: approximately 141 g
• Body finish: black all-metal housing with gold-plated XLR connector
• Selectable pre-attenuation pads: −10 dB and −20 dB
• Selectable low-cut filters: 80 Hz and 160 Hz

How to use

Connect the sE8 to a mixer, audio interface or preamplifier using a balanced XLR cable and provide 48 V phantom power. Position the microphone according to the source: for drum overheads place the mic above the kit to capture cymbals and room, for acoustic guitar position it near the 12th fret or soundhole depending on desired tonal balance, and for vocals use a close position with appropriate distance to manage proximity effect. Engage the −10 dB or −20 dB pad when recording loud sources to prevent preamp overload, and apply the 80 Hz or 160 Hz low-cut filter when needed to remove rumble or minimize proximity bass build-up.

Usage recommendations

Use stable mic stands and the supplied clip for secure mounting and maintain a clean, balanced signal path with high-quality XLR cables. For best results in critical recordings, check levels with the preamp before tracking and experiment with small adjustments in microphone placement and pad/filter settings to achieve the desired clarity and transient response.