Condenser Microphone UNIVERSAL SC-1 (UA MIC-UASC-1)

The UNIVERSAL SC-1 condenser microphone (model UA MIC-UASC-1) is a side-address studio microphone designed to capture clear and detailed audio using condenser capsule technology. It is suitable for recording vocals, acoustic instruments, speech for podcasts and streaming, and on-location capture when used with compatible interfaces or preamps. The microphone requires an appropriate power source or preamplifier and connects using standard microphone cabling to integrate into professional audio workflows.

Advantages

The condenser capsule provides high sensitivity and accurate transient response, resulting in detailed and natural sound reproduction across a wide frequency range. The microphone's design supports stable polar characteristics to pick up direct sound while minimizing off-axis noise when positioned correctly. Compatibility with standard microphone cables and common preamps or audio interfaces makes it flexible for studio and field setups. Its build is intended for consistent performance in vocal and instrumental recording environments.

Suitable for

• Studio vocal recording
• Capturing acoustic instruments (guitar, piano, strings)
• Podcasting and voice-over work
• Live streaming and content creation
• Field recording with appropriate preamp or interface

Key specifications

• Transducer type: condenser capsule
• Polar pattern: cardioid (typical for side-address condenser microphones)
• Connectivity: standard microphone cabling (XLR-compatible wiring expected)
• Power requirements: requires compatible external power or preamplifier
• Intended use: studio, broadcast, streaming, and portable field recording

How to use

Connect the microphone to a compatible preamplifier or audio interface using standard microphone cable. Ensure the preamp or interface provides the required power for the condenser capsule if external phantom power is needed. Position the microphone at an appropriate distance and angle from the sound source—typically 10–30 cm for vocals depending on the desired presence and room ambience—and use shock mounting and a pop filter for close vocal work to reduce plosives and handling noise. Adjust input gain on the preamp or interface to obtain a clean signal without clipping.

Usage recommendations

For best results, use the microphone with a quality preamplifier or audio interface that supplies the necessary power and offers low-noise gain. Use acoustic treatment or close-miking techniques in untreated rooms to minimise room reflections. When recording instruments, experiment with positioning to capture the most natural timbre; for vocals, combine a pop filter and appropriate gain staging to prevent distortion and maintain clarity.