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Studio 2-way speaker YAMAHA HS8 W — 8" woofer, 1" tweeter, 120 W RMS, wired, white
The Yamaha HS8 is a 2-way bass-reflex nearfield studio monitor with an 8" cone woofer and 1" dome tweeter, designed to provide an accurate, uncolored reference for mixing and music production. Delivering 120 W RMS and a frequency response of 38–30,000 Hz, the HS8 aims to reproduce audio with flat response and high resolution so engineers can make reliable mixing decisions. The cabinet is made from dense MDF with reinforced mitered joints to reduce resonance, and the speaker includes bi-amplified circuitry matched to its transducers for consistent performance.
The HS8 offers a precise, flat-frequency sound signature that avoids added bass or treble coloration, enabling true-to-source monitoring. Newly developed transducers — a 1" dome tweeter with extended high‑frequency response and an 8" woofer with large magnets — provide low distortion across the spectrum. The enclosure design and advanced port noise reduction minimize resonance and port turbulence, improving clarity. Front and rear controls allow room and high-frequency adjustment, and balanced XLR and TRS inputs ensure compatibility with professional audio gear.
Place the HS8 monitors at equal distance from the primary listening position, forming an equilateral triangle between the two speakers and the listener for optimal nearfield monitoring. Position the speakers away from walls where possible to reduce exaggerated low frequencies; use the ROOM CONTROL to attenuate boundary-induced bass buildup if placement near a wall is unavoidable. Connect the monitors to your audio interface, mixer, or other balanced/unbalanced sources using XLR or TRS cables. Adjust HIGH TRIM to fine-tune the high-frequency balance for your room. For subwoofer integration (if used), set crossover and phase controls on the subwoofer to align the system.
Use the HS8 for critical listening and mixing tasks where accurate, uncolored sound is required. Calibrate level and listen at moderate reference volumes when comparing mixes. Allow the speakers to settle in their intended position and give your ears time to adapt before finalizing mix decisions.
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