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Bromide darkroom paper Foma Fomabrom Variant 111 30.5x40.6 cm, 10 sheets
Bromide darkroom paper Foma Fomabrom Variant 111 30.5x40.6 cm, 10 sheets
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Bromide darkroom paper Foma Fomabrom Variant 111 30.5x40.6 cm, 10 sheets
Leave your address - as soon as the price of the product goes down, you'll know about it right away
Bromide darkroom paper Foma Fomabrom Variant 111 30.5x40.6 cm, 10 sheets
Bromide darkroom paper Foma Fomabrom Variant 111 30.5x40.6 cm, 10 sheets
Foma Fomabrom Variant 111 bromide darkroom paper in 30.5 × 40.6 cm sheets is intended for traditional black-and-white silver halide printing. Supplied as a pack of 10 sheets, this fibre-based paper is suitable for contact and enlarger exposures in studio, educational, or hobby darkrooms. It is formulated to deliver stable tonal gradation and reliable handling during standard black-and-white processing, producing prints with consistent midtones and shadow detail when processed with conventional chemistry.
The paper offers consistent tonal reproduction across the sheet surface and predictable behavior under common developer, stop bath and fixer sequences. Its sheet format simplifies registration and trimming for contact printing or for use in enlargers, while the surface and base combination supports good image sharpness and rich blacks. The pack quantity of 10 sheets provides a practical supply for short runs, tests or classroom exercises without excess storage needs.
Handle sheets by the edges in subdued light or a safelight appropriate for bromide paper. Expose the paper using contact or enlarger methods according to negative density and desired contrast. Process in standard black-and-white chemistry: develop until desired image density is reached, stop, fix, wash thoroughly and optionally apply a hypo clearing agent. Dry prints flat or on drying racks to avoid curling; flatten if necessary after drying.
Test exposure and development times on a single sheet before committing to a full run. Use appropriate safelight conditions and fresh chemistry for consistent results, and allow prints to wash long enough to remove fixer residues for archival stability.
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