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Cinema lens Irix 30mm T1.5 Black MILC 0.34m
Irix Cine 30mm T1.5 is a full-frame cinema lens designed for MILC and other camera systems, supporting sensor resolutions up to 8K and a closest focusing distance of 0.34 m. With a T1.5–T16 iris and an 11‑blade diaphragm, the lens delivers smooth exposure control and pleasing bokeh. It covers Full Frame, Super 35, RED Dragon 6K, ARRI Alexa, APS-C, MFT and Super 16 sensors and is available in multiple mounts including PL, making it compatible with a wide range of professional and mirrorless setups. The lens features a robust weather‑resistant construction, engraved UV‑reactive markings, a 95 mm front filter thread and a Magnetic Mounting System (MMS) for Irix Edge accessories.
The Irix Cine 30mm combines a bright T1.5 aperture with a low-distortion optical design and internal focusing to provide sharp images with minimal breathing. Its durable, weather‑sealed housing resists rain, dust and sand, while UV‑reactive engraved markings improve visibility in difficult lighting. The lens maintains consistent dimensions and weight across the Irix cine range for faster lens swaps, includes an adaptive ring for both manual operation and cine accessory compatibility, and offers MMS compatibility for magnetic filters and hoods.
Mount the Irix Cine 30mm on a compatible camera using the appropriate mount. Use the internal focus ring to achieve sharp focus without changing lens length; the geared Mod 0.8 M rings provide compatibility with follow-focus systems. Adjust aperture between T1.5 and T16 to control exposure and depth of field. Attach Irix Edge MMS filters or the MMS lens hood as needed for flare control and protection. Use the detachable lens support foot when mounting heavier rigs or follow-focus gears to reduce strain on the camera mount.
For natural-looking scenes and minimal focus breathing, use the Irix 30mm on setups close to human field of view; when shooting on crop sensors expect an effective focal length around 45 mm (1.5×). For exterior or dusty environments, keep MMS filters and the hood in place and clean the multi-layer coated glass regularly. Balance the lens on gimbals tested with mirrorless bodies for best stabilization results.
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