Cable LP KPO3867-1.8 — 6.3 mm stereo jack to 2 RCA, 1.8 m

LP KPO3867-1.8 is an audio connection cable with a 6.3 mm (1/4") stereo jack on one end and two RCA plugs on the other, with a length of 1.8 m. It is intended for routing stereo signals from instruments, headphone outputs or mixer line outputs to devices with stereo RCA inputs such as amplifiers, recorders and audio interfaces. The cable construction provides a straightforward wired connection for studio, live sound and home audio applications where a balanced or unbalanced conversion between a 6.3 mm stereo output and RCA inputs is required.

Advantages

This cable offers a simple, single-cable solution for connecting 6.3 mm stereo outputs to dual RCA inputs without the need for adapters. The 1.8 m length gives flexibility for typical stage and studio setups, allowing placement of connected devices at a comfortable distance. The conventional connector pairing ensures wide compatibility with instruments, mixers, headphone amplifiers and consumer audio equipment that accept RCA inputs. The cable design focuses on reliable signal transfer for line-level audio paths.

Suitable for

• Connecting electronic keyboards, audio interfaces or headphone outputs to stereo RCA inputs
• Studio patching and routing between mixers and recorders
• Live sound setups requiring a simple unbalanced connection
• Home audio systems and connecting portable gear to stereo amplifiers

Key specifications

• Connector A: 6.3 mm (1/4") stereo (TRS) jack
• Connector B: two RCA plugs (left and right)
• Cable length: 1.8 m
• Signal type: stereo line-level, unbalanced
• Typical use: instrument/mixer/headphone output to RCA input

How to use

Insert the 6.3 mm stereo jack into the source device's output (instrument output, headphone output or mixer line out). Plug the two RCA connectors into the corresponding left and right RCA inputs on the destination device, matching colors or channel labels when present. Set appropriate output and input levels on both source and destination to avoid clipping. For live or studio work, route channels in your mixer or recorder so the incoming stereo pair is assigned correctly.

Usage recommendations

For best results, keep cable runs as short as practical to reduce potential noise pickup and avoid running alongside power cables. Verify level settings on connected equipment and use the cable for line-level or headphone signals; it is not intended to replace balanced wiring where noise rejection is required.