Watercolour Tube Artequipment Rembrandt Transparent Titanium White 112, artists' watercolor paint

Artequipment Rembrandt Transparent Titanium White 112 is a professional watercolour in a squeezable tube formulated to deliver a transparent titanium white suitable for lifting, glazing and subtle highlights. The paint offers controlled flow and consistent tinting strength for artists working in fine art, illustration and mixed media techniques that require transparent white effects. Supplied in a standard artist tube, the colour is designed to be mixed with other watercolours or applied in thin washes to preserve the translucency of the wash while adding light tonal accents.

Advantages

This transparent titanium white provides a fine balance between opacity and translucency, allowing controlled lifting and layering without overtly flattening underlying washes. The tube format makes metered application simple and reduces waste compared with pans. The formulation is stable for glazing and tinting, enabling gradual build-up of highlights and subtle tonal corrections. It blends predictably with other watercolours and is suitable for detailed brushwork as well as delicate glazing techniques.

Suitable for

• Adding highlights and light accents in watercolor paintings
• Lifting and softening areas of dried washes
• Glazing and subtle tinting in layered watercolour techniques
• Illustration work where controlled transparent white is needed
• Mixed media pieces combining watercolor with ink or gouache

Key specifications

• Colour: transparent titanium white
• Form: squeezable artist tube
• Transparency: designed for transparent glazing and lifting
• Compatibility: mixes well with watercolour pigments and supports glazing
• Application: suitable for thin washes, glazing, and controlled brushwork

How to use

Use a clean brush and water to dilute the paint to the desired transparency before applying to paper. For glazing, apply very thin layers and allow full drying between coats to build gradual highlights without disturbing lower layers. For lifting, apply a small amount to an area and rework with clean water and a soft brush or blot with absorbent paper to remove or soften the pigment. When mixing, add small amounts to other watercolours to adjust tonal values while maintaining the overall translucency.

Usage recommendations

Store the tube capped in a cool, dry place and avoid prolonged exposure to direct sunlight. Use appropriate watercolor paper with sufficient absorbency and weight to achieve best glazing and lifting results. Test mixes and layering on a scrap before applying to a final work to ensure the desired transparency and effect.