The EVER Eventide TimeFactor is a dual stereo delay effects pedal designed for guitar and other instruments, combining two independent delay engines in a single compact enclosure. It offers stereo inputs and outputs, precise control over delay time, feedback, and level, and a range of modulation and tap-tempo features for shaping echoes, rhythmic repeats and ambient textures. Built for both stage and studio use, the unit supports separate settings for each delay engine and provides hands-on controls and footswitch operation to integrate into live signal chains and pedalboards.
Advantages
The dual-engine design allows simultaneous use of two distinct delay programs, enabling complex layered echoes and stereo spatial effects without extra pedals. Detailed parameter control delivers accurate timing and repeat characteristics, while stereo I/O preserves wide imaging for ambient and rhythmic applications. Rugged build and footswitch-accessible presets make the pedal suitable for live performance; onboard modulation and tap-tempo features expand creative options for studio sound design and on-stage timing.
Suitable for
- Guitarists creating stereo delay textures and rhythmic repeats
- Session musicians and producers shaping ambient and spatial delays in the studio
- Live performers requiring reliable tap-tempo and preset switching
- Sound designers combining modulation with delay for evolving effects
Key specifications
- Dual independent delay engines for parallel or serial routing
- Stereo inputs and stereo outputs for full left/right signal separation
- Precise delay time control with tap-tempo synchronization
- Feedback/regen control for adjustable number of repeats
- Level and mix controls for blending dry and wet signals
- Onboard modulation options to add chorus, vibrato or subtle movement to repeats
- Footswitches for preset selection and bypass with hands-free operation
- Robust metal enclosure suitable for pedalboard mounting
How to use
Connect instrument outputs to the pedal's input(s) and run the stereo outputs to an amplifier, mixer or audio interface depending on the application. Use the dedicated controls to set delay time and feedback on each engine, adjusting level and mix to achieve the desired balance between dry signal and delayed repeats. Engage tap-tempo with the footswitch to lock delay time to the performance tempo; switch between presets to recall stored delay configurations. For studio work, experiment with serial and parallel routing of the two engines to create complex textures, and use the modulation settings to introduce movement into sustained repeats.
Usage recommendations
For live setups, save commonly used delay settings to presets and use tap-tempo to match venue tempos quickly. In stereo rigs, pan the outputs to create a wider soundstage. When recording, try combining a short slapback on one engine with a long, modulated delay on the other to produce depth without obscuring the original signal.
