SCHEMAT poster paint in a 30 ml tube, flesh tone, is a water-based opaque paint designed for poster art, school projects, illustration and various craft applications. Packaged in a squeezable tube, the paint offers controlled dispensing for precise brush loading or direct application. The formula is suitable for use on paper, cardboard and poster board, and it mixes readily with other poster colors to create custom shades and subtle skin tones.
Advantages
The paint provides high opacity and good coverage in a compact 30 ml tube that is easy to carry and store. Its water-based composition cleans easily from brushes and tools while remaining durable on dry surfaces. The squeezable tube allows precise control over the amount of paint dispensed, reducing waste and enabling fine touch-ups or detailed work. Compatible with standard poster color ranges, it blends smoothly to achieve intermediate tones.
Suitable for
- School art classes and student projects
- Poster-making and signage on paper or cardboard
- Illustration, portrait studies and flesh tone mixing
- Crafts, hobby work and small touch-up jobs
Key specifications
- Volume: 30 ml
- Type: water-based opaque poster paint
- Finish: matte to satin when dry
- Application: brush or direct from tube
- Substrates: paper, cardboard, poster board
- Mixability: blends with other poster colors for custom shades
How to use
Remove the cap and gently squeeze the tube to dispense the required amount of paint onto a palette or directly onto the work surface. For brush application, dilute slightly with water to achieve the desired consistency, or use straight from the tube for thicker, more opaque coverage. Apply in thin layers for even drying and improved adhesion; allow each layer to dry before adding additional layers or details. Clean brushes and tools immediately after use with warm water and mild soap.
Usage recommendations
Store the tube capped and in a cool, dry place to prevent drying out. Test color and opacity on a scrap piece of the intended substrate before applying to final work. When mixing flesh tones, start with small amounts of stronger pigments to avoid oversaturation and adjust gradually for natural skin variations.
