Acrylic paint tube Winsor & Newton Galeria 120 ml — Cadmium Yellow Deep Hue

Winsor & Newton Galeria Acrylic 120 ml in Cadmium Yellow Deep Hue is a water-based artist acrylic offered in a squeezable tube for controlled dispensing. The colour is a warm, deep yellow with orange undertones formulated as a cadmium hue to approximate the appearance of genuine cadmium pigments while remaining part of the Galeria range. The paint provides opaque coverage, a buttery consistency that spreads easily, and enough body to retain brush marks when desired. It is suitable for fine art, mixed-media and general painting on canvas, primed board and paper.

Advantages

The formulation balances high pigment load with an affordable price point, delivering strong colour intensity and reliable opacity. The squeezable 120 ml tube enables precise dispensing and reduces waste. The paint’s buttery texture offers quick coverage for backgrounds as well as the ability to build layers and glazing. Cadmium Yellow Deep Hue in this range reproduces warm yellow tones with orange warmth, useful where a deep, opaque yellow is required.

Suitable for

• Fine art acrylic painting on primed canvas and panels
• Mixed-media work combining acrylic with collage or drawing media
• Underpainting and opaque layers for colour blocking
• Glazing and layering techniques when thinned with medium
• Educational and studio practice where affordable, consistent colours are needed

Key specifications

• Volume: 120 ml tube designed for controlled application
• Colour tone: warm deep yellow with orange undertones
• Opacity: opaque formulation suitable for covering previous layers
• Consistency: buttery, medium body that retains brush marks
• Binder: water-based acrylic polymer emulsion
• Compatibility: mixes with other acrylic colours and standard acrylic mediums

How to use

Shake or roll the tube lightly before use and dispense the required amount onto a palette. Apply with brushes, palette knives or other tools directly to primed canvas, paper or board. For transparent glazes, mix the paint with an acrylic glazing medium or water in small amounts; for thicker impasto effects, use a heavy body medium. Clean brushes and tools promptly with water while the paint is wet. Allow each layer to dry fully before overpainting to avoid lifting or unwanted texture changes.

Usage recommendations

Store the tube capped and upright in a cool, frost-free environment. Use a dedicated medium to adjust flow, sheen or drying time rather than adding excessive water. Test colour mixing and drying behaviour on scrap material before applying to the final work.