Acrylic paint Winsor & Newton Galeria 120 ml, Permanent Rose, tube

Winsor & Newton Galeria Acrylic in Permanent Rose is a water-based artist acrylic supplied in a 120 ml tube. This bright rose-violet colour is based on a transparent quinacridone pigment, a shade that has been part of the Winsor & Newton range since the 1950s. The Galeria line offers a high pigment load and a creamy, buttery texture that allows for both smooth coverage and visible brush marks. The tube dispenser ensures convenient, controlled application for canvas, paper and mixed-media supports where a stable, permanent rose tone is required for layering, glazing and fine detail.

Advantages

Galeria Acrylics combine concentrated pigment and an accessible price point, delivering vivid colour and dependable permanence. The formulation balances body and spreadability: it is fluid enough for quick coverage yet retains enough thickness to hold brush texture when desired. Transparent quinacridone pigmentation gives intense tinting strength and clear glazing properties, while the 120 ml tube format provides practical storage and ease of dosing for studio use.

Suitable for

• Canvas painting and primed boards
• Paper and mixed-media artwork
• Layering, glazing and transparent washes
• Detail work and colour mixing

Key specifications

• Colour: Permanent Rose (bright rose-violet)
• Pigment type: transparent quinacridone pigment
• Medium: water-based acrylic emulsion
• Volume: 120 ml tube
• Consistency: buttery, medium viscosity suitable for brushwork and glazing

How to use

Apply directly from the tube with brushes, palette knives or rollers depending on the desired effect. For transparent glazes and washes, thin with water or an acrylic medium; for thicker impasto or visible brush marks, use undiluted paint or mix with a heavy-body medium. Allow each layer to dry before applying the next to achieve stable layering and to avoid unwanted lifting. Clean brushes and tools with water immediately after use.

Usage recommendations

Store the tube tightly closed in a cool, dry place away from direct sunlight. Test colour interactions on a scrap surface before committing to final layers, especially when mixing with opaque whites or metallic mediums to retain the characteristic transparency of the quinacridone pigment.